This package was debianized by Sylvain Beucler <beuc@beuc.net> on
Sun, 17 Aug 2008 17:20:46 +0200.

Original data pack
==================

It was downloaded from <ftp://ftp.gnu.org/gnu/freedink/freedink-data-1.08.20080920.tar.gz>

Upstream Authors:

Cf. http://www.rtsoft.com/dink/credits.txt

Ã¾ Artwork Ã¾
Justin Martin (jmd@navicom.com)
(using 3dmax, Adobe Photoshop, Poser)

Ã¾ Level Design & Story Ã¾
Seth A. Robinson
Greg Smith (Pap)
Justin Martin

Ã¾ Additional Level Design Ã¾
Chris Bakker

Ã¾ v1.08 Game Fixes Ã¾
Talmadge Bradley III

License:

This software is provided 'as-is', without any express or implied
warranty. In no event will the authors be held liable for any damages
arising from the use of this software.

Permission is granted to anyone to use this software for any purpose,
including commercial applications, and to alter it and redistribute it
freely, subject to the following restrictions:

1. The origin of this software must not be misrepresented; you must not
claim that you wrote the original software. If you use this software
in a product, an acknowledgment in the product documentation would be
appreciated but is not required.
2. Altered source versions must be plainly marked as such, and must not be
misrepresented as being the original software.
3. This notice may not be removed or altered from any source distribution.

Covered files:

Dink.dat
Dink.ini
dmod.diz
Hard.dat
Map.dat
preview.bmp
README.txt
graphics/*
Sound/1003.mid
Sound/2.mid
Sound/dance.mid
Sound/insper.mid
Sound/lively.mid
Sound/love.mid
Sound/secret.wav
Story/*
Tiles/*

Free sound replacements
=======================

(check README-REPLACEMENTS.txt for more info than just
copyright+license)

- 1.mid/JOHN_MICHEL_CELLO-BACH_AVE_MARIA.ogg
Artist: John Michel (Cello)
License: CC BY-SA 3.0 Unported
- 1.mid/prelude.mid
Copyright: Aryliin and TboWan <arsouyes.org>
License: Art Libre
- 1.mid/Ave_Maria.mid
Copyright: Aryliin and TboWan <arsouyes.org>
License: Art Libre
- 1.mid/Ave_Maria.mid
Copyright: Aryliin and TboWan <arsouyes.org>
License: Art Libre
- 5.mid/5.ogg
5.mid/sea.mid
5.mid/Untitled3.mscz
Copyright: Ofir Mo <firewallspam2@gmail.com>
License: GPLv3+
- 7.mid/clockwork.mid
7.mid/clockwork.rg
Copyright (C) 2011 Joshua O'Leary
License: GPLv3+
- 12.mid/dink-castle.mid
12.mid/dink-castle.rg
Copyright (C) 2011 Joshua O'Leary
License: GPLv3+
- 13.mid/CanonInD222.mid
License: public domain
- 18.mid/mystery-game.mid
18.mid/mystery-game.rg
Copyright (C) 2011 Joshua O'Leary
License: GPLv3+
- 104.mid/serenade-d957.rg
104.mid/serenade-d957.mid
Copyright (C) 2008 Sylvain Beucler
License: GPLv3+ | Art Libre | CC BY-SA
- 104.mid/schubert-franz-peter-serenade-5672.pdf
License: public domain
Copyright (C) 2008 Sylvain Beucler
License: GPLv3+ | Art Libre | CC BY-SA
- 105.mid/reverie.rg
105.mid/reverie.mid
Copyright (C) 2008 Sylvain Beucler
License: GPLv3+ | Art Libre | CC BY-SA
- 105.mid/IMSLP14012-Debussy_-_R__verie__piano_.pdf
License: public domain
- 106.mid/Felix_Mendelssohn_-_Violinkonzert_e-moll_-_1._Allegro_molto_appassionato_0m_6s_0h__3m_18s_0h.ogg
Copyright (C) 2001 Fulda Symphonic Orchestra
License: EFF: Open Audio License version 1
- denube.mid/An_der_schÃ¶nem_blauen_Donau.ogg
License: public domain (1936)
- denube.mid/STRAUSS_Blue_Danube_Waltz_1934.ogg
License: public domain (1934)
- denude.mid/blue_danube.mid
Copyright (C) 2004 Nikos Kouremenos
License: CC BY-SA
- denube.mid/TheBlueDanubeOp314.pdf
License: public domain
- lovin.mp4/lovin.ogg
License: CC BY 3.0

Sound effects
=============

- intro.wav/intro.wav
<not copyrightable (1 frame of silence)>
- fire.wav/fire_long.wav
Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive
License: CC BY 3.0
- fire.wav/fire.wav
Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive
Copyright (C) 2008 Sylvain Beucler
License: CC BY 3.0
- fire.wav/fire.aup
fire.wav/gold_data/*
Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive
Copyright (C) 2008 Sylvain Beucler
License: CC BY 3.0
- gold.wav/gold.ogg (orig: gold.ogg)
bird1.wav (orig: bird2.ogg)
arrow.wav (orig: bow-hit.ogg)
bow1.wav (orig: bow-miss.ogg)
sword2.wav (orig: spear.ogg)
grunt1.wav (orig: human-hit.4.ogg)
grunt2.wav (orig: human-hit.5.ogg)
punch.wav (orig: club.ogg)
swing.wav (orig: dagger-swish.wav)
(/usr/share/games/wesnoth/data/core/sounds/ from the Wesnoth project)
Copyright (C) 2003 - 2007 by David White <dave@whitevine.net>
Copyright (C) 2004 - 2007 by Guillaume Melquiond <guillaume.melquiond@gmail.com>
Copyright (C) 2004 - 2007 by Philippe Plantier <ayin@anathas.org>
Copyright (C) 2005 - 2007 by Yann Dirson <ydirson@altern.org>
Copyright (C) 2005 - 2007 by Isaac Clerencia <isaac@sindominio.net>
Copyright (C) 2005 - 2007 by Joerg Hinrichs <joerg.hinrichs@alice-dsl.de>
Copyright (C) 2005 - 2007 by Joeri Melis <joeri_melis@hotmail.com>
Copyright (C) 2005 - 2007 by Rusty Russell <rusty@rustcorp.com.au>
Copyright (C) 2006 - 2007 by Dominic Bolin <dominic.bolin@exong.net>
Copyright (C) 2006 - 2007 by Jeremy Rosen <jeremy.rosen@enst-bretagne.fr>
Copyright (C) 2006 - 2007 by Karol Nowak <grzywacz@sul.uni.lodz.pl>
Copyright (C) 2006 - 2007 by Mark de Wever <koraq@xs4all.nl>
Copyright (C) 2006 - 2007 by Patrick Parker <patrick_x99@hotmail.com>

This program is free software; you can redistribute it and/or
modify it under the terms of the GNU General Public License
version 2 or at your option any later version. This program is
distributed in the hope that it will be useful, but WITHOUT ANY
WARRANTY.
- gold.wav/gold.aup
gold.wav/gold_data
gold.wav/gold.ogg
Based on gold.wav above, plus:
Copyright (C) 2008 Sylvain Beucler
- arrow.wav
Based on arrow.wav above, plus:
Copyright (C) 2010 Petteri Tolonen
- bow1.wav
Based on arrow.wav above, plus:
Copyright (C) 2010 Petteri Tolonen
- sword2.wav
Based on arrow.wav above, plus:
Copyright (C) 2010, 2012 Petteri Tolonen
- grunt1.wav
Based on human-hit-4.ogg above, plus:
Copyright (C) 2012 Petteri Tolonen
- grunt2.wav
Based on human-hit-5.ogg above, plus:
Copyright (C) 2012 Petteri Tolonen
- punch.wav
Based on club.ogg above, plus:
Copyright (C) 2012 Petteri Tolonen
- swing.wav
Based on dagger-swish.wav above, plus:
Copyright (C) 2012 Petteri Tolonen
- high2.wav
Copyright (C) 2009 Sylvain Beucler
License: GPLv3+ | Art Libre | CC BY-SA
- open.wav/convert
<not copyrightable (a simple bash command)>
- open.wav/door-03.flac
open.wav/open.wav
Copyright (C) 2010 Iwan Gabovitch <qubodup@gmail.com>
License: GPLv2+ | CC BY-SA 3+

- wscream.wav
Copyright (C) 2009 Fernando Carmona Varo
License: WTFPL
- bhit.wav
Based on /usr/share/games/freeciv/stdsounds/woodbrk.ogg, plus:
Copyright (C) 2012 Petteri Tolonen
License: GPLv3+ | Art Libre | CC BY-SA

Translations
============

- dink/l10n/ca.po: Copyright (C) 2013, Ã€ngel MompÃ³
- dink/l10n/da.po: Copyright (C) 2009, 2010, 2012 Joe Hansen
- dink/l10n/de.po: Copyright (C) 2009 Michael Skiba
- dink/l10n/eo.po: Copyright (C) 2011 Felipe Castro
- dink/l10n/es.po: Copyright (C) 2009 Fernando Carmona Varo
Copyright (C) 2010 Juan Valencia Escalante
- dink/l10n/fi.po: Copyright (C) 2012 Petteri Tolonen
- dink/l10n/fr.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc.
- dink/l10n/hr.po: Copyright (C) 2012 Tomislav Krznar
- dink/l10n/mk.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc.
- dink/l10n/nl.po: Copyright (C) 2003 Nanette
Copyright (C) 2010, 2011 Bas Wijnen

Packaging
=========

The Debian packaging is Copyright (C) 2008, 2009, 2010, 2011, Sylvain
Beucler <beuc@beuc.net> and is licensed under the GPL, either version
3, or (at your option) any later version, see
`/usr/share/common-licenses/GPL-3'.

Licenses
========

On Debian systems, the complete text of the GNU General Public
License can be found in /usr/share/common-licenses/GPL-2 file,
later versions can be found in the same directory.

Creative Commons 3.0 Attribution
http://creativecommons.org/licenses/by/3.0/
-------------------------------------------

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE
COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY
COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS
AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO
BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE
CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE
IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS.

1. Definitions

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pre-existing works, such as a translation, adaptation, derivative work,
arrangement of music or other alterations of a literary or artistic work,
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any other form in which the Work may be recast, transformed, or adapted
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b. "Collection" means a collection of literary or artistic works, such as
encyclopedias and anthologies, or performances, phonograms or broadcasts,
or other works or subject matter other than works listed in Section 1(f)
below, which, by reason of the selection and arrangement of their
contents, constitute intellectual creations, in which the Work is
included in its entirety in unmodified form along with one or more other
contributions, each constituting separate and independent works in
themselves, which together are assembled into a collective whole. A work
that constitutes a Collection will not be considered an Adaptation (as
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individual, individuals, entity or entities who created the Work or if no
individual or entity can be identified, the publisher; and in addition
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and other persons who act, sing, deliver, declaim, play in, interpret or
otherwise perform literary or artistic works or expressions of folklore;
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entity who first fixes the sounds of a performance or other sounds; and,
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this License including without limitation any production in the literary,
scientific and artistic domain, whatever may be the mode or form of its
expression including digital form, such as a book, pamphlet and other
writing; a lecture, address, sermon or other work of the same nature; a
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architecture, sculpture, engraving or lithography; a photographic work to
which are assimilated works expressed by a process analogous to
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three-dimensional work relative to geography, topography, architecture or
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to the extent it is protected as a copyrightable work; or a work
performed by a variety or circus performer to the extent it is not
otherwise considered a literary or artistic work.
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who has not previously violated the terms of this License with respect to
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----------------------------------------------

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS
PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE
WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS
PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND
AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS
LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU
THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH
TERMS AND CONDITIONS.

1. Definitions

b. "Collection" means a collection of literary or artistic works,
such as encyclopedias and anthologies, or performances,
phonograms or broadcasts, or other works or subject matter other
than works listed in Section 1(f) below, which, by reason of the
selection and arrangement of their contents, constitute
intellectual creations, in which the Work is included in its
entirety in unmodified form along with one or more other
contributions, each constituting separate and independent works
in themselves, which together are assembled into a collective
whole. A work that constitutes a Collection will not be
considered an Adaptation (as defined above) for the purposes of
this License.

c. "Distribute" means to make available to the public the original
and copies of the Work or Adaptation, as appropriate, through
sale or other transfer of ownership.

d. "Licensor" means the individual, individuals, entity or entities
that offer(s) the Work under the terms of this License.

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work, the individual, individuals, entity or entities who
created the Work or if no individual or entity can be
identified, the publisher; and in addition (i) in the case of a
performance the actors, singers, musicians, dancers, and other
persons who act, sing, deliver, declaim, play in, interpret or
otherwise perform literary or artistic works or expressions of
folklore; (ii) in the case of a phonogram the producer being the
person or legal entity who first fixes the sounds of a
performance or other sounds; and, (iii) in the case of
broadcasts, the organization that transmits the broadcast.

f. "Work" means the literary and/or artistic work offered under the
terms of this License including without limitation any
production in the literary, scientific and artistic domain,
whatever may be the mode or form of its expression including
digital form, such as a book, pamphlet and other writing; a
lecture, address, sermon or other work of the same nature; a
dramatic or dramatico-musical work; a choreographic work or
entertainment in dumb show; a musical composition with or
without words; a cinematographic work to which are assimilated
works expressed by a process analogous to cinematography; a work
of drawing, painting, architecture, sculpture, engraving or
lithography; a photographic work to which are assimilated works
expressed by a process analogous to photography; a work of
applied art; an illustration, map, plan, sketch or
three-dimensional work relative to geography, topography,
architecture or science; a performance; a broadcast; a
phonogram; a compilation of data to the extent it is protected
as a copyrightable work; or a work performed by a variety or
circus performer to the extent it is not otherwise considered a
literary or artistic work.

g. "You" means an individual or entity exercising rights under this
License who has not previously violated the terms of this
License with respect to the Work, or who has received express
permission from the Licensor to exercise rights under this
License despite a previous violation.

h. "Publicly Perform" means to perform public recitations of the
Work and to communicate to the public those public recitations,
by any means or process, including by wire or wireless means or
public digital performances; to make available to the public
Works in such a way that members of the public may access these
Works from a place and at a place individually chosen by them;
to perform the Work to the public by any means or process and
the communication to the public of the performances of the Work,
including by public digital performance; to broadcast and
rebroadcast the Work by any means including signs, sounds or
images.

i. "Reproduce" means to make copies of the Work by any means
including without limitation by sound or visual recordings and
the right of fixation and reproducing fixations of the Work,
including storage of a protected performance or phonogram in
digital form or other electronic medium.

2. Fair Dealing Rights. Nothing in this License is intended to reduce,
limit, or restrict any uses free from copyright or rights arising from
limitations or exceptions that are provided for in connection with the
copyright protection under copyright law or other applicable laws.

3. License Grant. Subject to the terms and conditions of this License,
Licensor hereby grants You a worldwide, royalty-free, non-exclusive,
perpetual (for the duration of the applicable copyright) license to
exercise the rights in the Work as stated below:

a. to Reproduce the Work, to incorporate the Work into one or more
Collections, and to Reproduce the Work as incorporated in the
Collections;

b. to create and Reproduce Adaptations provided that any such
Adaptation, including any translation in any medium, takes
reasonable steps to clearly label, demarcate or otherwise
identify that changes were made to the original Work. For
example, a translation could be marked "The original work was
translated from English to Spanish," or a modification could
indicate "The original work has been modified.";

c. to Distribute and Publicly Perform the Work including as
incorporated in Collections; and,

d. to Distribute and Publicly Perform Adaptations.

e. For the avoidance of doubt:

i. Non-waivable Compulsory License Schemes. In those
jurisdictions in which the right to collect royalties
through any statutory or compulsory licensing scheme
cannot be waived, the Licensor reserves the exclusive
right to collect such royalties for any exercise by You of
the rights granted under this License;

ii. Waivable Compulsory License Schemes. In those
jurisdictions in which the right to collect royalties
through any statutory or compulsory licensing scheme can
be waived, the Licensor waives the exclusive right to
collect such royalties for any exercise by You of the
rights granted under this License; and,

iii. Voluntary License Schemes. The Licensor waives the right
to collect royalties, whether individually or, in the
event that the Licensor is a member of a collecting
society that administers voluntary licensing schemes, via
that society, from any exercise by You of the rights
granted under this License.

The above rights may be exercised in all media and formats whether now
known or hereafter devised. The above rights include the right to make
such modifications as are technically necessary to exercise the rights
in other media and formats. Subject to Section 8(f), all rights not
expressly granted by Licensor are hereby reserved.

4. Restrictions. The license granted in Section 3 above is expressly
made subject to and limited by the following restrictions:

b. If You Distribute, or Publicly Perform the Work or any
Adaptations or Collections, You must, unless a request has been
made pursuant to Section 4(a), keep intact all copyright notices
for the Work and provide, reasonable to the medium or means You
are utilizing: (i) the name of the Original Author (or
pseudonym, if applicable) if supplied, and/or if the Original
Author and/or Licensor designate another party or parties (e.g.,
a sponsor institute, publishing entity, journal) for attribution
("Attribution Parties") in Licensor's copyright notice, terms of
service or by other reasonable means, the name of such party or
parties; (ii) the title of the Work if supplied; (iii) to the
extent reasonably practicable, the URI, if any, that Licensor
specifies to be associated with the Work, unless such URI does
not refer to the copyright notice or licensing information for
the Work; and (iv) , consistent with Section 3(b), in the case
of an Adaptation, a credit identifying the use of the Work in
the Adaptation (e.g., "French translation of the Work by
Original Author," or "Screenplay based on original Work by
Original Author"). The credit required by this Section 4 (b) may
be implemented in any reasonable manner; provided, however, that
in the case of a Adaptation or Collection, at a minimum such
credit will appear, if a credit for all contributing authors of
the Adaptation or Collection appears, then as part of these
credits and in a manner at least as prominent as the credits for
the other contributing authors. For the avoidance of doubt, You
may only use the credit required by this Section for the purpose
of attribution in the manner set out above and, by exercising
Your rights under this License, You may not implicitly or
explicitly assert or imply any connection with, sponsorship or
endorsement by the Original Author, Licensor and/or Attribution
Parties, as appropriate, of You or Your use of the Work, without
the separate, express prior written permission of the Original
Author, Licensor and/or Attribution Parties.

c. Except as otherwise agreed in writing by the Licensor or as may
be otherwise permitted by applicable law, if You Reproduce,
Distribute or Publicly Perform the Work either by itself or as
part of any Adaptations or Collections, You must not distort,
mutilate, modify or take other derogatory action in relation to
the Work which would be prejudicial to the Original Author's
honor or reputation. Licensor agrees that in those jurisdictions
(e.g. Japan), in which any exercise of the right granted in
Section 3(b) of this License (the right to make Adaptations)
would be deemed to be a distortion, mutilation, modification or
other derogatory action prejudicial to the Original Author's
honor and reputation, the Licensor will waive or not assert, as
appropriate, this Section, to the fullest extent permitted by
the applicable national law, to enable You to reasonably
exercise Your right under Section 3(b) of this License (right to
make Adaptations) but not otherwise.

5. Representations, Warranties and Disclaimer

UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING,
LICENSOR OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR
WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED,
STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF
TITLE, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE,
NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY,
OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT
DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED
WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.

6. Limitation on Liability.

EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL
LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL,
INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT
OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

7. Termination

b. Subject to the above terms and conditions, the license granted
here is perpetual (for the duration of the applicable copyright
in the Work). Notwithstanding the above, Licensor reserves the
right to release the Work under different license terms or to
stop distributing the Work at any time; provided, however that
any such election will not serve to withdraw this License (or
any other license that has been, or is required to be, granted
under the terms of this License), and this License will continue
in full force and effect unless terminated as stated above.

8. Miscellaneous

b. Each time You Distribute or Publicly Perform an Adaptation,
Licensor offers to the recipient a license to the original Work
on the same terms and conditions as the license granted to You
under this License.

c. If any provision of this License is invalid or unenforceable
under applicable law, it shall not affect the validity or
enforceability of the remainder of the terms of this License,
and without further action by the parties to this agreement,
such provision shall be reformed to the minimum extent necessary
to make such provision valid and enforceable.

d. No term or provision of this License shall be deemed waived and
no breach consented to unless such waiver or consent shall be in
writing and signed by the party to be charged with such waiver
or consent.

e. This License constitutes the entire agreement between the
parties with respect to the Work licensed here. There are no
understandings, agreements or representations with respect to
the Work not specified here. Licensor shall not be bound by any
additional provisions that may appear in any communication from
You. This License may not be modified without the mutual written
agreement of the Licensor and You.

f. The rights granted under, and the subject matter referenced, in
this License were drafted utilizing the terminology of the Berne
Convention for the Protection of Literary and Artistic Works (as
amended on September 28, 1979), the Rome Convention of 1961, the
WIPO Copyright Treaty of 1996, the WIPO Performances and
Phonograms Treaty of 1996 and the Universal Copyright Convention
(as revised on July 24, 1971). These rights and subject matter
take effect in the relevant jurisdiction in which the License
terms are sought to be enforced according to the corresponding
provisions of the implementation of those treaty provisions in
the applicable national law. If the standard suite of rights
granted under applicable copyright law includes additional
rights not granted under this License, such additional rights
are deemed to be included in the License; this License is not
intended to restrict the license of any rights under applicable
law.

Free Art License 1.3
http://artlibre.org/licence/lal/en/
-----------------------------------

(in French, this is also called "Art Libre")

[ Copyleft Attitude ]

Free Art License 1.3 (FAL 1.3)

Preamble

The Free Art License grants the right to freely copy, distribute, and
transform creative works without infringing the author's rights.

The Free Art License recognizes and protects these rights. Their
implementation has been reformulated in order to allow everyone to use
creations of the human mind in a creative manner, regardless of their
types and ways of expression.

While the public's access to creations of the human mind usually is
restricted by the implementation of copyright law, it is favoured by
the Free Art License. This license intends to allow the use of a work'
s resources; to establish new conditions for creating in order to
increase creation opportunities. The Free Art License grants the right
to use a work, and acknowledges the right holder's and the user's
rights and responsibility.

The invention and development of digital technologies, Internet and
Free Software have changed creation methods: creations of the human
mind can obviously be distributed, exchanged, and transformed. They
allow to produce common works to which everyone can contribute to the
benefit of all.

The main rationale for this Free Art License is to promote and protect
these creations of the human mind according to the principles of
copyleft: freedom to use, copy, distribute, transform, and prohibition
of exclusive appropriation.

Definitions

"work" either means the initial work, the subsequent works or the
common work as defined hereafter:

"common work" means a work composed of the initial work and all
subsequent contributions to it (originals and copies). The initial
author is the one who, by choosing this license, defines the
conditions under which contributions are made.

"Initial work" means the work created by the initiator of the common
work (as defined above), the copies of which can be modified by
whoever wants to

"Subsequent works" means the contributions made by authors who
participate in the evolution of the common work by exercising the
rights to reproduce, distribute, and modify that are granted by the
license.

"Originals" (sources or resources of the work) means all copies of
either the initial work or any subsequent work mentioning a date and
used by their author(s) as references for any subsequent updates,
interpretations, copies or reproductions.

"Copy" means any reproduction of an original as defined by this
license.

1. OBJECT

The aim of this license is to define the conditions under which one
can use this work freely.

2. SCOPE

This work is subject to copyright law. Through this license its author
specifies the extent to which you can copy, distribute, and modify it.

2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)

You have the right to copy this work for yourself, your friends or any
other person, whatever the technique used.

2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC

You have the right to distribute copies of this work; whether modified
or not, whatever the medium and the place, with or without any charge,
provided that you:
- attach this license without any modification to the copies of this
work or indicate precisely where the license can be found,
- specify to the recipient the names of the author(s) of the
originals, including yours if you have modified the work,
- specify to the recipient where to access the originals (either
initial or subsequent).

The authors of the originals may, if they wish to, give you the right
to distribute the originals under the same conditions as the copies.

2.3 FREEDOM TO MODIFY

You have the right to modify copies of the originals (whether initial
or subsequent) provided you comply with the following conditions:
- all conditions in article 2.2 above, if you distribute modified
copies;
- indicate that the work has been modified and, if it is possible,
what kind of modifications have been made;
- distribute the subsequent work under the same license or any
compatible license.

The author(s) of the original work may give you the right to modify it
under the same conditions as the copies.

3. RELATED RIGHTS

Activities giving rise to author's rights and related rights shall not
challenge the rights granted by this license.
For example, this is the reason why performances must be subject to
the same license or a compatible license. Similarly, integrating the
work in a database, a compilation or an anthology shall not prevent
anyone from using the work under the same conditions as those defined
in this license.

4. INCORPORATION OF THE WORK

Incorporating this work into a larger work that is not subject to the
Free Art License shall not challenge the rights granted by this
license.

If the work can no longer be accessed apart from the larger work in
which it is incorporated, then incorporation shall only be allowed
under the condition that the larger work is subject either to the Free
Art License or a compatible license.

5. COMPATIBILITY

A license is compatible with the Free Art License provided:
- it gives the right to copy, distribute, and modify copies of the
work including for commercial purposes and without any other
restrictions than those required by the respect of the other
compatibility criteria;
- it ensures proper attribution of the work to its authors and access
to previous versions of the work when possible;
- it recognizes the Free Art License as compatible (reciprocity);
- it requires that changes made to the work be subject to the same
license or to a license which also meets these compatibility
criteria.

6. YOUR INTELLECTUAL RIGHTS

This license does not aim at denying your author's rights in your
contribution or any related right. By choosing to contribute to the
development of this common work, you only agree to grant others the
same rights with regard to your contribution as those you were granted
by this license. Conferring these rights does not mean you have to
give up your intellectual rights.

7. YOUR RESPONSIBILITIES

The freedom to use the work as defined by the Free Art License (right
to copy, distribute, modify) implies that everyone is responsible for
their own actions.

8. DURATION OF THE LICENSE

This license takes effect as of your acceptance of its terms. The act
of copying, distributing, or modifying the work constitutes a tacit
agreement.
This license will remain in effect for as long as the copyright which
is attached to the work. If you do not respect the terms of this
license, you automatically lose the rights that it confers.
If the legal status or legislation to which you are subject makes it
impossible for you to respect the terms of this license, you may not
make use of the rights which it confers.

9. VARIOUS VERSIONS OF THE LICENSE

This license may undergo periodic modifications to incorporate
improvements by its authors (instigators of the "Copyleft Attitude"
movement) by way of new, numbered versions.
You will always have the choice of accepting the terms contained in
the version under which the copy of the work was distributed to you,
or alternatively, to use the provisions of one of the subsequent
versions.

10. SUB-LICENSING

Sub-licenses are not authorized by this license. Any person wishing to
make use of the rights that it confers will be directly bound to the
authors of the common work.

11. LEGAL FRAMEWORK

This license is written with respect to both French law and the Berne
Convention for the Protection of Literary and Artistic Works.

USER GUIDE

- How to use the Free Art License?

To benefit from the Free Art License, you only need to mention the
following elements on your work:

[Name of the author, title, date of the work. When applicable, names
of authors of the common work and, if possible, where to find the
originals].
Copyleft: This is a free work, you can copy, distribute, and modify it
under the terms of the Free Art License
http://artlibre.org/licence/lal/en/

- Why to use the Free Art License?

1. To give the greatest number of people access to your work.
2. To allow it to be distributed freely.
3. To allow it to evolve by allowing its copy, distribution, and
transformation by others.
4. So that you benefit from the resources of a work when it is under
the Free Art License: to be able to copy, distribute or transform
it freely.
5. But also, because the Free Art License offers a legal framework to
disallow any misappropriation. It is forbidden to take hold of your
work and bypass the creative process for one's exclusive
possession.

- When to use the Free Art License?

Any time you want to benefit and make others benefit from the right to
copy, distribute and transform creative works without any exclusive
appropriation, you should use the Free Art License. You can for
example use it for scientific, artistic or educational projects.

- What kinds of works can be subject to the Free Art License?

The Free Art License can be applied to digital as well as physical
works. You can choose to apply the Free Art License on any text,
picture, sound, gesture, or whatever sort of stuff on which you have
sufficient author's rights.

- Historical background of this license:

It is the result of observing, using and creating digital
technologies, free software, the Internet and art. It arose from the
"Copyleft Attitude" meetings which took place in Paris in 2000. For
the first time, these meetings brought together members of the Free
Software community, artists, and members of the art world. The goal
was to adapt the principles of Copyleft and free software to all sorts
of creations. http://www.artlibre.org

Copyleft Attitude, 2007.
You can make reproductions and distribute this license verbatim (without any changes).

EFF Open Audio License
----------------------

Version 1.0.1

Changes from ver. 1.0[.0]: Typo corrections; no substantive changes.
1. I. Preamble
2. II. Terms of Use
3. III. How to Use this License

I. PREAMBLE

PRINCIPLES

Digital technology and the Internet can eMPOWER ARTISTS TO REACH A
WORldwide audience and to build upon each other's ideas and imagination
with extremely low production and distribution costs. Many software
developers, through both the open source software initiative and the
free software movement, have long taken advantage of these facts to
create a vibrant community of shared software that benefits creators and
the public.

EFF's Open Audio License provides a legal tool that borrows from both
movements providing freedom and openness to use music and other
expressive works in new ways. It allows artists to grant the public
permission to copy, distribute, adapt, and publicly perform their works
royalty-free as long as credit is given to the creator as the Original
Author.

As in the software communities, this license is intended to help foster
a community of creators and performers who are free to share and build
on each others' work. This also frees their audience to share works that
they enjoy with others, all for the purpose of creating a rich and
vibrant public commons.

More specifically, this license is designed to serve as a tool of
freedom for artists who wish to reach one another and new fans with
their original works. It allows musicians to collaborate in creating a
pool of "open audio" that can be freely modified, exchanged, and
utilized in new ways. Artists can use this license to promote themselves
and take advantage of the new possibilities for empowerment and
independence that technology provides. It also allows the public to
experience new music, and connect directly with artists, as well as
enable "super distribution" where the public is encouraged to copy and
distribute a work, adding value to the artist's reputation while
experiencing a world of new music never before available.

Why is the EFF advocating a license?

Because, despite the fact that we are uneasy with the licensing, as
opposed to sale, of both music and software, we see this particular
license as a tool of freedom. Our goal is to use the tools of copyright
to free artists and audiences from the portion of current copyright law
that seems, to us, to be getting in the way of copyright's original
purpose -- the creation of a vibrant public commons of music that we all
can enjoy and that artists can build upon. As part of it, we hope to
demonstrate some of what we believe should be the best practices in
licenses, including respect for the rights and limitations of copyright
law including fair use, first sale rights, as well as consumer
protection laws and of course freedom of speech. The aim of this license
is to use copyright tools to achieve copyright's stated objectives of
spreading knowledge and culture while preserving incentives for the
author.

For legal purposes, this document is the official license under which
Open Audio is made available for public use. The original version of
this document may be found at:
http://www.eff.org/IP/Open_licenses/eff_oal.html

Specific terms and conditions for accessing, copying, distribution,
adaptation, public performance, and attribution follow.

II. TERMS AND CONDITIONS FOR USE:

Access, Copying, Distribution, Public Performance, Adaptation, and Attribution

This license applies to any work offered by the Original Author(s) with
a notice indicating that it is released under the terms of the EFF Open
Audio License, "(O)". If used in conjunction with a sound recording
(whether in digital or analog form), this license encompasses the
copyright in both the sound recording (the "master" rights) and the
underlying musical composition (the "songwriter" rights).

The Original Author retains the copyrights to works released under this
license, but grants the worldwide public permission to use the work in
the ways authorized herein. Activities other than those specifically
addressed below are outside the scope of this license.

1. Access, Reproduction, Distribution, Modification, and
Performance Rights. Subject to the terms and conditions of this
license, the Original Author irrevocably and perpetually grants to
the public authorization to freely access, copy, distribute, modify,
create derivative works from, and publicly perform the work released
under this license in any medium or format, provided that Original
Author attribution be included with any copies distributed or public
performances of the work, as well as any derivative works based on
the work, as further described below.

2. Original Author Attribution Requirement. Original Author
attribution is generally defined as a method in the regular course
of dealing that reasonably conveys to the recipient of a copy or
performance the following information: (1) The notice "(O)" that
indicates the work is released under the EFF Open Audio license; (2)
the identity of the Original Author; (3) the title of the work (at
Original Author's option); and (4) how the first listed Original
Author may be contacted (at Original Author's option).
ÃŠ
Where a common, widely-adopted method for attribution is available
(such as ID3 tagging for MP3 files), Original Author attribution
should be implemented using the common, widely-adopted method. In
other circumstances, Original Author attribution may be implemented
in any reasonable fashion, such as by including attribution in the
public performance, or affixing it to the physical media, or
embedding it in the digital file. See the Suggested Guidelines for
general attribution requirements for giving proper credit to the
work's Original Author in differing circumstances.

3. Agree Not to Limit Others' Use. Any new work that in whole or in
part contains or is derived from a work (or part thereof) made
available under this license, must itself be licensed as a whole
under the terms of this license.

Notwithstanding the foregoing, mere aggregation on a volume of a
storage or distribution medium of an independently created work with
one that is made available under this license does not bring the
other work under the scope of this license. It is not the intent of
this section to contest the rights of others in works created
entirely by them; rather, the intent is to exercise the right to
control the distribution of derivative or collective works based
upon a work subject to this license.

4. Acceptance of Terms. Because you have not signed this license,
you cannot be required to accept it. But nothing besides this
license grants you authorization to copy, distribute, adapt, or
publicly perform royalty-free the copyrighted works released under
it. These activities are prohibited by law without a license or
other contractual right granted by the copyright owner. By
exercising one of the rights granted herein you indicate your
acceptance of this license and agree to be bound by all its terms
and conditions.

5. License Version. This license is Version 1.0. New versions of
this license will be published from time to time at:
http://www.eff.org/IP/Open_licenses/eff_oal.html

Anyone who releases a work under the license without specifying a
version number allows the recipient to use the work subject to the
then-current version of this license.

6. Civil Liberties Unrestricted. Nothing in this license is
intended to reduce, limit, or restrict any fair use, the first sale
doctrine, or the public side of the copyright bargain under
copyright law, or to in any other way limit any rights bestowed
under consumer protection or other applicable laws.

7. Warranty. By offering an original work for public release under
this license, the Original Author warrants that (i) s/he has the
power and authority to grant the rights conveyed herein, and (ii)
use of the work within the scope of this license will not infringe
the copyright of any third party.

III. HOW TO USE THIS LICENSE

If you are a musician, band, or other artist and you want your creative
works to be experienced by the widest audience possible and touch the
hearts and minds of the greatest number of people around the world, the
EFF Open Audio License allows your fans and supporters to market and
distribute your work through viral marketing that creates attention and
adds value to your identity. You can also help build a common pool of
creative expression that can be accessed and improved upon by all of
society.

To do so, convey or affix the following information to or about the copy
or performance of the work:

The designation "(O)", representing "open" which indicates that the
Original Author(s) have released the work subject to the terms and
conditions of this public license;

Name of work's Original Author(s) (both the performer and the song
writer);

Name or title of work (at option of author);

First Original Author's specified contact means usually an email or
Internet address (at option of author);

notice, year created; and license version number.

Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com
2001 V.1.0

or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com
2001 V.1.0

This license is designed to provide artists with a mechanism to promote
their creative talents and identity to millions of people through
releasing certain recordings to the public. It is also designed to serve
as a tool to allow musicians to experiment with new business models that
do not depend solely on a payment of fee-per-copy. Changing times
require artists be creative in devising new business models for assuring
payment and adequate compensation for their important contributions to
society.

WTFPL
http://sam.zoy.org/wtfpl/
-------------------------

DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE
Version 2, December 2004

Copyright (C) 2004 Sam Hocevar
14 rue de Plaisance, 75014 Paris, France
Everyone is permitted to copy and distribute verbatim or modified
copies of this license document, and changing it is allowed as long
as the name is changed.

DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

0. You just DO WHAT THE FUCK YOU WANT TO.