This package was debianized by Sylvain Beucler <beuc@beuc.net> on
Sun, 17 Aug 2008 17:20:46 +0200.


Original data pack
==================

It was downloaded from <ftp://ftp.gnu.org/gnu/freedink/freedink-data-1.08.20080920.tar.gz>

Upstream Authors:

    Cf. http://www.rtsoft.com/dink/credits.txt

    þ Artwork þ
    Justin Martin (jmd@navicom.com)
    (using 3dmax, Adobe Photoshop, Poser)
    
    þ Level Design & Story þ
    Seth A. Robinson
    Greg Smith (Pap) 
    Justin Martin
    
    þ Additional Level Design þ
    Chris Bakker
    
    þ v1.08 Game Fixes þ
    Talmadge Bradley III

Copyright:

    Copyright (C) 1997, 1998, 1999, 2002, 2003  Seth A. Robinson

License:

    This software is provided 'as-is', without any express or implied
    warranty.  In no event will the authors be held liable for any damages
    arising from the use of this software.
  
    Permission is granted to anyone to use this software for any purpose,
    including commercial applications, and to alter it and redistribute it
    freely, subject to the following restrictions:
  
    1. The origin of this software must not be misrepresented; you must not
       claim that you wrote the original software. If you use this software
       in a product, an acknowledgment in the product documentation would be
       appreciated but is not required.
    2. Altered source versions must be plainly marked as such, and must not be
       misrepresented as being the original software.
    3. This notice may not be removed or altered from any source distribution.

Covered files:

  Dink.dat
  Dink.ini
  dmod.diz
  Hard.dat
  Map.dat
  preview.bmp
  README.txt
  graphics/*
  Sound/1003.mid
  Sound/2.mid
  Sound/dance.mid
  Sound/insper.mid
  Sound/lively.mid
  Sound/love.mid
  Sound/secret.wav
  Story/*
  Tiles/*


Free sound replacements
=======================

(check README-REPLACEMENTS.txt for more info than just
 copyright+license)

- 1.mid/JOHN_MICHEL_CELLO-BACH_AVE_MARIA.ogg
    Artist: John Michel (Cello)
    License: CC BY-SA 3.0 Unported
- 1.mid/prelude.mid
    Copyright: Aryliin and TboWan <arsouyes.org>
    License: Art Libre
- 1.mid/Ave_Maria.mid
    Copyright: Aryliin and TboWan <arsouyes.org>
    License: Art Libre
- 1.mid/Ave_Maria.mid
    Copyright: Aryliin and TboWan <arsouyes.org>
    License: Art Libre
- 5.mid/5.ogg
  5.mid/sea.mid
  5.mid/Untitled3.mscz
    Copyright: Ofir Mo <firewallspam2@gmail.com>
    License: GPLv3+
- 7.mid/clockwork.mid
  7.mid/clockwork.rg
    Copyright (C) 2011 Joshua O'Leary
    License: GPLv3+
- 12.mid/dink-castle.mid
  12.mid/dink-castle.rg
    Copyright (C) 2011 Joshua O'Leary
    License: GPLv3+
- 13.mid/CanonInD222.mid
    License: public domain
- 18.mid/mystery-game.mid
  18.mid/mystery-game.rg
    Copyright (C) 2011 Joshua O'Leary
    License: GPLv3+
- 104.mid/serenade-d957.rg
  104.mid/serenade-d957.mid
    Copyright (C) 2008  Sylvain Beucler
    License: GPLv3+ | Art Libre | CC BY-SA
- 104.mid/schubert-franz-peter-serenade-5672.pdf
    License: public domain
    Copyright (C) 2008  Sylvain Beucler
    License: GPLv3+ | Art Libre | CC BY-SA
- 105.mid/reverie.rg
  105.mid/reverie.mid
    Copyright (C) 2008  Sylvain Beucler
    License: GPLv3+ | Art Libre | CC BY-SA
- 105.mid/IMSLP14012-Debussy_-_R__verie__piano_.pdf
    License: public domain
- 106.mid/Felix_Mendelssohn_-_Violinkonzert_e-moll_-_1._Allegro_molto_appassionato_0m_6s_0h__3m_18s_0h.ogg
    Copyright (C) 2001  Fulda Symphonic Orchestra
    License: EFF: Open Audio License version 1
- denube.mid/An_der_schönem_blauen_Donau.ogg
    License: public domain (1936)
- denube.mid/STRAUSS_Blue_Danube_Waltz_1934.ogg
    License: public domain (1934)
- denude.mid/blue_danube.mid
    Copyright (C) 2004  Nikos Kouremenos
    License: CC BY-SA
- denube.mid/TheBlueDanubeOp314.pdf
    License: public domain
- lovin.mp4/lovin.ogg
    License: CC BY 3.0


Sound effects
=============

- intro.wav/intro.wav
  <not copyrightable (1 frame of silence)>
- fire.wav/fire_long.wav
    Copyright (C) 1999-2007  The Berklee College of Music Sampling Archive
    License: CC BY 3.0
- fire.wav/fire.wav
    Copyright (C) 1999-2007  The Berklee College of Music Sampling Archive
    Copyright (C) 2008  Sylvain Beucler
    License: CC BY 3.0
- fire.wav/fire.aup
  fire.wav/gold_data/*
    Copyright (C) 1999-2007  The Berklee College of Music Sampling Archive
    Copyright (C) 2008  Sylvain Beucler
    License: CC BY 3.0
- gold.wav/gold.ogg (orig: gold.ogg)
  bird1.wav (orig: bird2.ogg)
  arrow.wav (orig: bow-hit.ogg)
  bow1.wav (orig: bow-miss.ogg)
  sword2.wav (orig: spear.ogg)
  grunt1.wav (orig: human-hit.4.ogg)
  grunt2.wav (orig: human-hit.5.ogg)
  punch.wav (orig: club.ogg)
  swing.wav (orig: dagger-swish.wav)
  (/usr/share/games/wesnoth/data/core/sounds/ from the Wesnoth project)
    Copyright (C) 2003 - 2007 by David White <dave@whitevine.net>
    Copyright (C) 2004 - 2007 by Guillaume Melquiond <guillaume.melquiond@gmail.com>
    Copyright (C) 2004 - 2007 by Philippe Plantier <ayin@anathas.org>
    Copyright (C) 2005 - 2007 by Yann Dirson <ydirson@altern.org>
    Copyright (C) 2005 - 2007 by Isaac Clerencia <isaac@sindominio.net>
    Copyright (C) 2005 - 2007 by Joerg Hinrichs <joerg.hinrichs@alice-dsl.de>
    Copyright (C) 2005 - 2007 by Joeri Melis <joeri_melis@hotmail.com>
    Copyright (C) 2005 - 2007 by Rusty Russell <rusty@rustcorp.com.au>
    Copyright (C) 2006 - 2007 by Dominic Bolin <dominic.bolin@exong.net>
    Copyright (C) 2006 - 2007 by Jeremy Rosen <jeremy.rosen@enst-bretagne.fr>
    Copyright (C) 2006 - 2007 by Karol Nowak <grzywacz@sul.uni.lodz.pl>
    Copyright (C) 2006 - 2007 by Mark de Wever <koraq@xs4all.nl>
    Copyright (C) 2006 - 2007 by Patrick Parker <patrick_x99@hotmail.com>

    This program is free software; you can redistribute it and/or
    modify it under the terms of the GNU General Public License
    version 2 or at your option any later version.  This program is
    distributed in the hope that it will be useful, but WITHOUT ANY
    WARRANTY.
- gold.wav/gold.aup
  gold.wav/gold_data
  gold.wav/gold.ogg
  Based on gold.wav above, plus:
    Copyright (C) 2008  Sylvain Beucler
- arrow.wav
  Based on arrow.wav above, plus:
    Copyright (C) 2010  Petteri Tolonen
- bow1.wav
  Based on arrow.wav above, plus:
    Copyright (C) 2010  Petteri Tolonen
- sword2.wav
  Based on arrow.wav above, plus:
    Copyright (C) 2010, 2012  Petteri Tolonen
- grunt1.wav
  Based on human-hit-4.ogg above, plus:
    Copyright (C) 2012  Petteri Tolonen
- grunt2.wav
  Based on human-hit-5.ogg above, plus:
    Copyright (C) 2012  Petteri Tolonen
- punch.wav
  Based on club.ogg above, plus:
    Copyright (C) 2012  Petteri Tolonen
- swing.wav
  Based on dagger-swish.wav above, plus:
    Copyright (C) 2012  Petteri Tolonen
- high2.wav
    Copyright (C) 2009  Sylvain Beucler
    License: GPLv3+ | Art Libre | CC BY-SA
- open.wav/convert
<not copyrightable (a simple bash command)>
- open.wav/door-03.flac
  open.wav/open.wav
    Copyright (C) 2010  Iwan Gabovitch <qubodup@gmail.com>
    License: GPLv2+ | CC BY-SA 3+

- wscream.wav
    Copyright (C) 2009  Fernando Carmona Varo
    License: WTFPL
- bhit.wav
  Based on /usr/share/games/freeciv/stdsounds/woodbrk.ogg, plus:
    Copyright (C) 2012  Petteri Tolonen
    License: GPLv3+ | Art Libre | CC BY-SA


Translations
============

- dink/l10n/ca.po: Copyright (C) 2013, Àngel Mompó
- dink/l10n/da.po: Copyright (C) 2009, 2010, 2012  Joe Hansen
- dink/l10n/de.po: Copyright (C) 2009  Michael Skiba
- dink/l10n/eo.po: Copyright (C) 2011  Felipe Castro
- dink/l10n/es.po: Copyright (C) 2009  Fernando Carmona Varo
                   Copyright (C) 2010  Juan Valencia Escalante
- dink/l10n/fi.po: Copyright (C) 2012  Petteri Tolonen
- dink/l10n/fr.po: Copyright (C) 2008, 2009  Free Software Foundation, Inc.
- dink/l10n/hr.po: Copyright (C) 2012  Tomislav Krznar
- dink/l10n/mk.po: Copyright (C) 2008, 2009  Free Software Foundation, Inc.
- dink/l10n/nl.po: Copyright (C) 2003  Nanette
                   Copyright (C) 2010, 2011  Bas Wijnen


Packaging
=========

The Debian packaging is Copyright (C) 2008, 2009, 2010, 2011, Sylvain
Beucler <beuc@beuc.net> and is licensed under the GPL, either version
3, or (at your option) any later version, see
`/usr/share/common-licenses/GPL-3'.


Licenses
========

On Debian systems, the complete text of the GNU General Public
License can be found in /usr/share/common-licenses/GPL-2 file,
later versions can be found in the same directory.


Creative Commons 3.0 Attribution
http://creativecommons.org/licenses/by/3.0/
-------------------------------------------

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE
COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY
COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS
AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO
BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE
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Creative Commons 3.0 Attribution ShareAlike
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----------------------------------------------

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS
PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE
WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS
PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND
AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS
LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU
THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH
TERMS AND CONDITIONS.

1. Definitions

   a. "Adaptation" means a work based upon the Work, or upon the Work
      and other pre-existing works, such as a translation, adaptation,
      derivative work, arrangement of music or other alterations of a
      literary or artistic work, or phonogram or performance and
      includes cinematographic adaptations or any other form in which
      the Work may be recast, transformed, or adapted including in any
      form recognizably derived from the original, except that a work
      that constitutes a Collection will not be considered an
      Adaptation for the purpose of this License. For the avoidance of
      doubt, where the Work is a musical work, performance or
      phonogram, the synchronization of the Work in timed-relation
      with a moving image ("synching") will be considered an
      Adaptation for the purpose of this License.

   b. "Collection" means a collection of literary or artistic works,
      such as encyclopedias and anthologies, or performances,
      phonograms or broadcasts, or other works or subject matter other
      than works listed in Section 1(f) below, which, by reason of the
      selection and arrangement of their contents, constitute
      intellectual creations, in which the Work is included in its
      entirety in unmodified form along with one or more other
      contributions, each constituting separate and independent works
      in themselves, which together are assembled into a collective
      whole. A work that constitutes a Collection will not be
      considered an Adaptation (as defined above) for the purposes of
      this License.

   c. "Distribute" means to make available to the public the original
      and copies of the Work or Adaptation, as appropriate, through
      sale or other transfer of ownership.

   d. "Licensor" means the individual, individuals, entity or entities
      that offer(s) the Work under the terms of this License.

   e. "Original Author" means, in the case of a literary or artistic
      work, the individual, individuals, entity or entities who
      created the Work or if no individual or entity can be
      identified, the publisher; and in addition (i) in the case of a
      performance the actors, singers, musicians, dancers, and other
      persons who act, sing, deliver, declaim, play in, interpret or
      otherwise perform literary or artistic works or expressions of
      folklore; (ii) in the case of a phonogram the producer being the
      person or legal entity who first fixes the sounds of a
      performance or other sounds; and, (iii) in the case of
      broadcasts, the organization that transmits the broadcast.

   f. "Work" means the literary and/or artistic work offered under the
      terms of this License including without limitation any
      production in the literary, scientific and artistic domain,
      whatever may be the mode or form of its expression including
      digital form, such as a book, pamphlet and other writing; a
      lecture, address, sermon or other work of the same nature; a
      dramatic or dramatico-musical work; a choreographic work or
      entertainment in dumb show; a musical composition with or
      without words; a cinematographic work to which are assimilated
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      literary or artistic work.

   g. "You" means an individual or entity exercising rights under this
      License who has not previously violated the terms of this
      License with respect to the Work, or who has received express
      permission from the Licensor to exercise rights under this
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   h. "Publicly Perform" means to perform public recitations of the
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      rebroadcast the Work by any means including signs, sounds or
      images.

   i. "Reproduce" means to make copies of the Work by any means
      including without limitation by sound or visual recordings and
      the right of fixation and reproducing fixations of the Work,
      including storage of a protected performance or phonogram in
      digital form or other electronic medium.

2. Fair Dealing Rights. Nothing in this License is intended to reduce,
limit, or restrict any uses free from copyright or rights arising from
limitations or exceptions that are provided for in connection with the
copyright protection under copyright law or other applicable laws.

3. License Grant. Subject to the terms and conditions of this License,
Licensor hereby grants You a worldwide, royalty-free, non-exclusive,
perpetual (for the duration of the applicable copyright) license to
exercise the rights in the Work as stated below:

   a. to Reproduce the Work, to incorporate the Work into one or more
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   b. to create and Reproduce Adaptations provided that any such
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   c. to Distribute and Publicly Perform the Work including as
      incorporated in Collections; and,

   d. to Distribute and Publicly Perform Adaptations.

   e. For the avoidance of doubt:

         i. Non-waivable Compulsory License Schemes. In those
	    jurisdictions in which the right to collect royalties
	    through any statutory or compulsory licensing scheme
	    cannot be waived, the Licensor reserves the exclusive
	    right to collect such royalties for any exercise by You of
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        ii. Waivable Compulsory License Schemes. In those
	    jurisdictions in which the right to collect royalties
	    through any statutory or compulsory licensing scheme can
	    be waived, the Licensor waives the exclusive right to
	    collect such royalties for any exercise by You of the
	    rights granted under this License; and,

       iii. Voluntary License Schemes. The Licensor waives the right
            to collect royalties, whether individually or, in the
            event that the Licensor is a member of a collecting
            society that administers voluntary licensing schemes, via
            that society, from any exercise by You of the rights
            granted under this License.

The above rights may be exercised in all media and formats whether now
known or hereafter devised. The above rights include the right to make
such modifications as are technically necessary to exercise the rights
in other media and formats. Subject to Section 8(f), all rights not
expressly granted by Licensor are hereby reserved.

4. Restrictions. The license granted in Section 3 above is expressly
made subject to and limited by the following restrictions:

   a. You may Distribute or Publicly Perform the Work only under the
      terms of this License. You must include a copy of, or the
      Uniform Resource Identifier (URI) for, this License with every
      copy of the Work You Distribute or Publicly Perform. You may not
      offer or impose any terms on the Work that restrict the terms of
      this License or the ability of the recipient of the Work to
      exercise the rights granted to that recipient under the terms of
      the License. You may not sublicense the Work. You must keep
      intact all notices that refer to this License and to the
      disclaimer of warranties with every copy of the Work You
      Distribute or Publicly Perform. When You Distribute or Publicly
      Perform the Work, You may not impose any effective technological
      measures on the Work that restrict the ability of a recipient of
      the Work from You to exercise the rights granted to that
      recipient under the terms of the License. This Section 4(a)
      applies to the Work as incorporated in a Collection, but this
      does not require the Collection apart from the Work itself to be
      made subject to the terms of this License. If You create a
      Collection, upon notice from any Licensor You must, to the
      extent practicable, remove from the Collection any credit as
      required by Section 4(b), as requested. If You create an
      Adaptation, upon notice from any Licensor You must, to the
      extent practicable, remove from the Adaptation any credit as
      required by Section 4(b), as requested.

   b. If You Distribute, or Publicly Perform the Work or any
      Adaptations or Collections, You must, unless a request has been
      made pursuant to Section 4(a), keep intact all copyright notices
      for the Work and provide, reasonable to the medium or means You
      are utilizing: (i) the name of the Original Author (or
      pseudonym, if applicable) if supplied, and/or if the Original
      Author and/or Licensor designate another party or parties (e.g.,
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      ("Attribution Parties") in Licensor's copyright notice, terms of
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      of an Adaptation, a credit identifying the use of the Work in
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      be implemented in any reasonable manner; provided, however, that
      in the case of a Adaptation or Collection, at a minimum such
      credit will appear, if a credit for all contributing authors of
      the Adaptation or Collection appears, then as part of these
      credits and in a manner at least as prominent as the credits for
      the other contributing authors. For the avoidance of doubt, You
      may only use the credit required by this Section for the purpose
      of attribution in the manner set out above and, by exercising
      Your rights under this License, You may not implicitly or
      explicitly assert or imply any connection with, sponsorship or
      endorsement by the Original Author, Licensor and/or Attribution
      Parties, as appropriate, of You or Your use of the Work, without
      the separate, express prior written permission of the Original
      Author, Licensor and/or Attribution Parties.

   c. Except as otherwise agreed in writing by the Licensor or as may
      be otherwise permitted by applicable law, if You Reproduce,
      Distribute or Publicly Perform the Work either by itself or as
      part of any Adaptations or Collections, You must not distort,
      mutilate, modify or take other derogatory action in relation to
      the Work which would be prejudicial to the Original Author's
      honor or reputation. Licensor agrees that in those jurisdictions
      (e.g. Japan), in which any exercise of the right granted in
      Section 3(b) of this License (the right to make Adaptations)
      would be deemed to be a distortion, mutilation, modification or
      other derogatory action prejudicial to the Original Author's
      honor and reputation, the Licensor will waive or not assert, as
      appropriate, this Section, to the fullest extent permitted by
      the applicable national law, to enable You to reasonably
      exercise Your right under Section 3(b) of this License (right to
      make Adaptations) but not otherwise.

5. Representations, Warranties and Disclaimer

UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING,
LICENSOR OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR
WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED,
STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF
TITLE, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE,
NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY,
OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT
DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED
WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.

6. Limitation on Liability.

EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL
LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL,
INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT
OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

7. Termination

   a. This License and the rights granted hereunder will terminate
      automatically upon any breach by You of the terms of this
      License. Individuals or entities who have received Adaptations
      or Collections from You under this License, however, will not
      have their licenses terminated provided such individuals or
      entities remain in full compliance with those licenses. Sections
      1, 2, 5, 6, 7, and 8 will survive any termination of this
      License.

   b. Subject to the above terms and conditions, the license granted
      here is perpetual (for the duration of the applicable copyright
      in the Work). Notwithstanding the above, Licensor reserves the
      right to release the Work under different license terms or to
      stop distributing the Work at any time; provided, however that
      any such election will not serve to withdraw this License (or
      any other license that has been, or is required to be, granted
      under the terms of this License), and this License will continue
      in full force and effect unless terminated as stated above.

8. Miscellaneous

   a. Each time You Distribute or Publicly Perform the Work or a
      Collection, the Licensor offers to the recipient a license to
      the Work on the same terms and conditions as the license granted
      to You under this License.

   b. Each time You Distribute or Publicly Perform an Adaptation,
      Licensor offers to the recipient a license to the original Work
      on the same terms and conditions as the license granted to You
      under this License.

   c. If any provision of this License is invalid or unenforceable
      under applicable law, it shall not affect the validity or
      enforceability of the remainder of the terms of this License,
      and without further action by the parties to this agreement,
      such provision shall be reformed to the minimum extent necessary
      to make such provision valid and enforceable.

   d. No term or provision of this License shall be deemed waived and
      no breach consented to unless such waiver or consent shall be in
      writing and signed by the party to be charged with such waiver
      or consent.

   e. This License constitutes the entire agreement between the
      parties with respect to the Work licensed here. There are no
      understandings, agreements or representations with respect to
      the Work not specified here. Licensor shall not be bound by any
      additional provisions that may appear in any communication from
      You. This License may not be modified without the mutual written
      agreement of the Licensor and You.

   f. The rights granted under, and the subject matter referenced, in
      this License were drafted utilizing the terminology of the Berne
      Convention for the Protection of Literary and Artistic Works (as
      amended on September 28, 1979), the Rome Convention of 1961, the
      WIPO Copyright Treaty of 1996, the WIPO Performances and
      Phonograms Treaty of 1996 and the Universal Copyright Convention
      (as revised on July 24, 1971). These rights and subject matter
      take effect in the relevant jurisdiction in which the License
      terms are sought to be enforced according to the corresponding
      provisions of the implementation of those treaty provisions in
      the applicable national law. If the standard suite of rights
      granted under applicable copyright law includes additional
      rights not granted under this License, such additional rights
      are deemed to be included in the License; this License is not
      intended to restrict the license of any rights under applicable
      law.


Free Art License 1.3
http://artlibre.org/licence/lal/en/
-----------------------------------

(in French, this is also called "Art Libre")

[ Copyleft Attitude ]

Free Art License 1.3 (FAL 1.3)

Preamble

The Free Art License grants the right to freely copy, distribute, and
transform creative works without infringing the author's rights.

The Free Art License recognizes and protects these rights. Their
implementation has been reformulated in order to allow everyone to use
creations of the human mind in a creative manner, regardless of their
types and ways of expression.

While the public's access to creations of the human mind usually is
restricted by the implementation of copyright law, it is favoured by
the Free Art License. This license intends to allow the use of a work'
s resources; to establish new conditions for creating in order to
increase creation opportunities. The Free Art License grants the right
to use a work, and acknowledges the right holder's and the user's
rights and responsibility.

The invention and development of digital technologies, Internet and
Free Software have changed creation methods: creations of the human
mind can obviously be distributed, exchanged, and transformed. They
allow to produce common works to which everyone can contribute to the
benefit of all.

The main rationale for this Free Art License is to promote and protect
these creations of the human mind according to the principles of
copyleft: freedom to use, copy, distribute, transform, and prohibition
of exclusive appropriation.

Definitions

"work" either means the initial work, the subsequent works or the
common work as defined hereafter:

"common work" means a work composed of the initial work and all
subsequent contributions to it (originals and copies). The initial
author is the one who, by choosing this license, defines the
conditions under which contributions are made.

"Initial work" means the work created by the initiator of the common
work (as defined above), the copies of which can be modified by
whoever wants to

"Subsequent works" means the contributions made by authors who
participate in the evolution of the common work by exercising the
rights to reproduce, distribute, and modify that are granted by the
license.

"Originals" (sources or resources of the work) means all copies of
either the initial work or any subsequent work mentioning a date and
used by their author(s) as references for any subsequent updates,
interpretations, copies or reproductions.

"Copy" means any reproduction of an original as defined by this
license.

1. OBJECT

The aim of this license is to define the conditions under which one
can use this work freely.

2. SCOPE

This work is subject to copyright law. Through this license its author
specifies the extent to which you can copy, distribute, and modify it.

2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)

You have the right to copy this work for yourself, your friends or any
other person, whatever the technique used.

2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC

You have the right to distribute copies of this work; whether modified
or not, whatever the medium and the place, with or without any charge,
provided that you:
- attach this license without any modification to the copies of this
  work or indicate precisely where the license can be found,
- specify to the recipient the names of the author(s) of the
  originals, including yours if you have modified the work,
- specify to the recipient where to access the originals (either
  initial or subsequent).

The authors of the originals may, if they wish to, give you the right
to distribute the originals under the same conditions as the copies.

2.3 FREEDOM TO MODIFY

You have the right to modify copies of the originals (whether initial
or subsequent) provided you comply with the following conditions:
- all conditions in article 2.2 above, if you distribute modified
  copies;
- indicate that the work has been modified and, if it is possible,
  what kind of modifications have been made;
- distribute the subsequent work under the same license or any
  compatible license.

The author(s) of the original work may give you the right to modify it
under the same conditions as the copies.

3. RELATED RIGHTS

Activities giving rise to author's rights and related rights shall not
challenge the rights granted by this license.
For example, this is the reason why performances must be subject to
the same license or a compatible license. Similarly, integrating the
work in a database, a compilation or an anthology shall not prevent
anyone from using the work under the same conditions as those defined
in this license.

4. INCORPORATION OF THE WORK

Incorporating this work into a larger work that is not subject to the
Free Art License shall not challenge the rights granted by this
license.

If the work can no longer be accessed apart from the larger work in
which it is incorporated, then incorporation shall only be allowed
under the condition that the larger work is subject either to the Free
Art License or a compatible license.

5. COMPATIBILITY

A license is compatible with the Free Art License provided:
- it gives the right to copy, distribute, and modify copies of the
  work including for commercial purposes and without any other
  restrictions than those required by the respect of the other
  compatibility criteria;
- it ensures proper attribution of the work to its authors and access
  to previous versions of the work when possible;
- it recognizes the Free Art License as compatible (reciprocity);
- it requires that changes made to the work be subject to the same
  license or to a license which also meets these compatibility
  criteria.

6. YOUR INTELLECTUAL RIGHTS

This license does not aim at denying your author's rights in your
contribution or any related right. By choosing to contribute to the
development of this common work, you only agree to grant others the
same rights with regard to your contribution as those you were granted
by this license. Conferring these rights does not mean you have to
give up your intellectual rights.

7. YOUR RESPONSIBILITIES

The freedom to use the work as defined by the Free Art License (right
to copy, distribute, modify) implies that everyone is responsible for
their own actions.

8. DURATION OF THE LICENSE

This license takes effect as of your acceptance of its terms. The act
of copying, distributing, or modifying the work constitutes a tacit
agreement.
This license will remain in effect for as long as the copyright which
is attached to the work. If you do not respect the terms of this
license, you automatically lose the rights that it confers.
If the legal status or legislation to which you are subject makes it
impossible for you to respect the terms of this license, you may not
make use of the rights which it confers.

9. VARIOUS VERSIONS OF THE LICENSE

This license may undergo periodic modifications to incorporate
improvements by its authors (instigators of the "Copyleft Attitude"
movement) by way of new, numbered versions.
You will always have the choice of accepting the terms contained in
the version under which the copy of the work was distributed to you,
or alternatively, to use the provisions of one of the subsequent
versions.

10. SUB-LICENSING

Sub-licenses are not authorized by this license. Any person wishing to
make use of the rights that it confers will be directly bound to the
authors of the common work.

11. LEGAL FRAMEWORK

This license is written with respect to both French law and the Berne
Convention for the Protection of Literary and Artistic Works.

USER GUIDE

- How to use the Free Art License?

To benefit from the Free Art License, you only need to mention the
following elements on your work:

[Name of the author, title, date of the work. When applicable, names
of authors of the common work and, if possible, where to find the
originals].
Copyleft: This is a free work, you can copy, distribute, and modify it
under the terms of the Free Art License
http://artlibre.org/licence/lal/en/

- Why to use the Free Art License?

1. To give the greatest number of people access to your work.
2. To allow it to be distributed freely.
3. To allow it to evolve by allowing its copy, distribution, and
   transformation by others.
4. So that you benefit from the resources of a work when it is under
   the Free Art License: to be able to copy, distribute or transform
   it freely.
5. But also, because the Free Art License offers a legal framework to
   disallow any misappropriation. It is forbidden to take hold of your
   work and bypass the creative process for one's exclusive
   possession.

- When to use the Free Art License?

Any time you want to benefit and make others benefit from the right to
copy, distribute and transform creative works without any exclusive
appropriation, you should use the Free Art License. You can for
example use it for scientific, artistic or educational projects.

- What kinds of works can be subject to the Free Art License?

The Free Art License can be applied to digital as well as physical
works.  You can choose to apply the Free Art License on any text,
picture, sound, gesture, or whatever sort of stuff on which you have
sufficient author's rights.

- Historical background of this license:

It is the result of observing, using and creating digital
technologies, free software, the Internet and art. It arose from the
"Copyleft Attitude" meetings which took place in Paris in 2000. For
the first time, these meetings brought together members of the Free
Software community, artists, and members of the art world. The goal
was to adapt the principles of Copyleft and free software to all sorts
of creations. http://www.artlibre.org

Copyleft Attitude, 2007.
You can make reproductions and distribute this license verbatim (without any changes).


EFF Open Audio License
----------------------

Version 1.0.1

Changes from ver. 1.0[.0]: Typo corrections; no substantive changes. 
	1.  I. Preamble 
	2.  II. Terms of Use 
	3.  III. How to Use this License 

I. PREAMBLE

PRINCIPLES

Digital technology and the Internet can eMPOWER ARTISTS TO REACH A
WORldwide audience and to build upon each other's ideas and imagination
with extremely low production and distribution costs. Many software
developers, through both the open source software initiative and the
free software movement, have long taken advantage of these facts to
create a vibrant community of shared software that benefits creators and
the public.

EFF's Open Audio License provides a legal tool that borrows from both
movements providing freedom and openness to use music and other
expressive works in new ways. It allows artists to grant the public
permission to copy, distribute, adapt, and publicly perform their works
royalty-free as long as credit is given to the creator as the Original
Author.

As in the software communities, this license is intended to help foster
a community of creators and performers who are free to share and build
on each others' work. This also frees their audience to share works that
they enjoy with others, all for the purpose of creating a rich and
vibrant public commons.

More specifically, this license is designed to serve as a tool of
freedom for artists who wish to reach one another and new fans with
their original works. It allows musicians to collaborate in creating a
pool of "open audio" that can be freely modified, exchanged, and
utilized in new ways. Artists can use this license to promote themselves
and take advantage of the new possibilities for empowerment and
independence that technology provides. It also allows the public to
experience new music, and connect directly with artists, as well as
enable "super distribution" where the public is encouraged to copy and
distribute a work, adding value to the artist's reputation while
experiencing a world of new music never before available.

Why is the EFF advocating a license?

Because, despite the fact that we are uneasy with the licensing, as
opposed to sale, of both music and software, we see this particular
license as a tool of freedom. Our goal is to use the tools of copyright
to free artists and audiences from the portion of current copyright law
that seems, to us, to be getting in the way of copyright's original
purpose -- the creation of a vibrant public commons of music that we all
can enjoy and that artists can build upon. As part of it, we hope to
demonstrate some of what we believe should be the best practices in
licenses, including respect for the rights and limitations of copyright
law including fair use, first sale rights, as well as consumer
protection laws and of course freedom of speech. The aim of this license
is to use copyright tools to achieve copyright's stated objectives of
spreading knowledge and culture while preserving incentives for the
author.

For legal purposes, this document is the official license under which
Open Audio is made available for public use. The original version of
this document may be found at:
http://www.eff.org/IP/Open_licenses/eff_oal.html

Specific terms and conditions for accessing, copying, distribution,
adaptation, public performance, and attribution follow.

II. TERMS AND CONDITIONS FOR USE:

Access, Copying, Distribution, Public Performance, Adaptation, and Attribution

This license applies to any work offered by the Original Author(s) with
a notice indicating that it is released under the terms of the EFF Open
Audio License, "(O)". If used in conjunction with a sound recording
(whether in digital or analog form), this license encompasses the
copyright in both the sound recording (the "master" rights) and the
underlying musical composition (the "songwriter" rights).

The Original Author retains the copyrights to works released under this
license, but grants the worldwide public permission to use the work in
the ways authorized herein. Activities other than those specifically
addressed below are outside the scope of this license.

	1.  Access, Reproduction, Distribution, Modification, and
	Performance Rights. Subject to the terms and conditions of this
	license, the Original Author irrevocably and perpetually grants to
	the public authorization to freely access, copy, distribute, modify,
	create derivative works from, and publicly perform the work released
	under this license in any medium or format, provided that Original
	Author attribution be included with any copies distributed or public
	performances of the work, as well as any derivative works based on
	the work, as further described below.

	2.  Original Author Attribution Requirement. Original Author
	attribution is generally defined as a method in the regular course
	of dealing that reasonably conveys to the recipient of a copy or
	performance the following information: (1) The notice "(O)" that
	indicates the work is released under the EFF Open Audio license; (2)
	the identity of the Original Author; (3) the title of the work (at
	Original Author's option); and (4) how the first listed Original
	Author may be contacted (at Original Author's option).
Ê
	Where a common, widely-adopted method for attribution is available
	(such as ID3 tagging for MP3 files), Original Author attribution
	should be implemented using the common, widely-adopted method. In
	other circumstances, Original Author attribution may be implemented
	in any reasonable fashion, such as by including attribution in the
	public performance, or affixing it to the physical media, or
	embedding it in the digital file. See the Suggested Guidelines for
	general attribution requirements for giving proper credit to the
	work's Original Author in differing circumstances.

	3.  Agree Not to Limit Others' Use. Any new work that in whole or in
	part contains or is derived from a work (or part thereof) made
	available under this license, must itself be licensed as a whole
	under the terms of this license.

	Notwithstanding the foregoing, mere aggregation on a volume of a
	storage or distribution medium of an independently created work with
	one that is made available under this license does not bring the
	other work under the scope of this license. It is not the intent of
	this section to contest the rights of others in works created
	entirely by them; rather, the intent is to exercise the right to
	control the distribution of derivative or collective works based
	upon a work subject to this license.

	4.   Acceptance of Terms. Because you have not signed this license,
	you cannot be required to accept it. But nothing besides this
	license grants you authorization to copy, distribute, adapt, or
	publicly perform royalty-free the copyrighted works released under
	it. These activities are prohibited by law without a license or
	other contractual right granted by the copyright owner. By
	exercising one of the rights granted herein you indicate your
	acceptance of this license and agree to be bound by all its terms
	and conditions.

	5.  License Version. This license is Version 1.0. New versions of
	this license will be published from time to time at:
	http://www.eff.org/IP/Open_licenses/eff_oal.html

	Anyone who releases a work under the license without specifying a
	version number allows the recipient to use the work subject to the
	then-current version of this license.

	6.  Civil Liberties Unrestricted. Nothing in this license is
	intended to reduce, limit, or restrict any fair use, the first sale
	doctrine, or the public side of the copyright bargain under
	copyright law, or to in any other way limit any rights bestowed
	under consumer protection or other applicable laws.

	7.  Warranty. By offering an original work for public release under
	this license, the Original Author warrants that (i) s/he has the
	power and authority to grant the rights conveyed herein, and (ii)
	use of the work within the scope of this license will not infringe
	the copyright of any third party.

III. HOW TO USE THIS LICENSE

If you are a musician, band, or other artist and you want your creative
works to be experienced by the widest audience possible and touch the
hearts and minds of the greatest number of people around the world, the
EFF Open Audio License allows your fans and supporters to market and
distribute your work through viral marketing that creates attention and
adds value to your identity. You can also help build a common pool of
creative expression that can be accessed and improved upon by all of
society.

To do so, convey or affix the following information to or about the copy
or performance of the work:


The designation "(O)", representing "open" which indicates that the
Original Author(s) have released the work subject to the terms and
conditions of this public license;

	Name of work's Original Author(s) (both the performer and the song
	writer);

	Name or title of work (at option of author);

	First Original Author's specified contact means usually an email or
	Internet address (at option of author);

	notice, year created; and license version number.


	Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com
	2001 V.1.0


	or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com
	2001 V.1.0


This license is designed to provide artists with a mechanism to promote
their creative talents and identity to millions of people through
releasing certain recordings to the public. It is also designed to serve
as a tool to allow musicians to experiment with new business models that
do not depend solely on a payment of fee-per-copy. Changing times
require artists be creative in devising new business models for assuring
payment and adequate compensation for their important contributions to
society.


WTFPL
http://sam.zoy.org/wtfpl/
-------------------------

            DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE
                    Version 2, December 2004

 Copyright (C) 2004 Sam Hocevar
  14 rue de Plaisance, 75014 Paris, France
 Everyone is permitted to copy and distribute verbatim or modified
 copies of this license document, and changing it is allowed as long
 as the name is changed.

            DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE
   TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

  0. You just DO WHAT THE FUCK YOU WANT TO.