This package was debianized by Sylvain Beucler on Sun, 17 Aug 2008 17:20:46 +0200. Original data pack ================== It was downloaded from Upstream Authors: Cf. http://www.rtsoft.com/dink/credits.txt þ Artwork þ Justin Martin (jmd@navicom.com) (using 3dmax, Adobe Photoshop, Poser) þ Level Design & Story þ Seth A. Robinson Greg Smith (Pap) Justin Martin þ Additional Level Design þ Chris Bakker þ v1.08 Game Fixes þ Talmadge Bradley III Copyright: Copyright (C) 1997, 1998, 1999, 2002, 2003 Seth A. Robinson License: This software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software. Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions: 1. The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required. 2. Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software. 3. This notice may not be removed or altered from any source distribution. Covered files: Dink.dat Dink.ini dmod.diz Hard.dat Map.dat preview.bmp README.txt graphics/* Sound/1003.mid Sound/2.mid Sound/dance.mid Sound/insper.mid Sound/lively.mid Sound/love.mid Sound/secret.wav Story/* Tiles/* Free sound replacements ======================= (check README-REPLACEMENTS.txt for more info than just copyright+license) - 1.mid/JOHN_MICHEL_CELLO-BACH_AVE_MARIA.ogg Artist: John Michel (Cello) License: CC BY-SA 3.0 Unported - 1.mid/prelude.mid Copyright: Aryliin and TboWan License: Art Libre - 1.mid/Ave_Maria.mid Copyright: Aryliin and TboWan License: Art Libre - 1.mid/Ave_Maria.mid Copyright: Aryliin and TboWan License: Art Libre - 5.mid/5.ogg 5.mid/sea.mid 5.mid/Untitled3.mscz Copyright: Ofir Mo License: GPLv3+ - 7.mid/clockwork.mid 7.mid/clockwork.rg Copyright (C) 2011 Joshua O'Leary License: GPLv3+ - 12.mid/dink-castle.mid 12.mid/dink-castle.rg Copyright (C) 2011 Joshua O'Leary License: GPLv3+ - 13.mid/CanonInD222.mid License: public domain - 18.mid/mystery-game.mid 18.mid/mystery-game.rg Copyright (C) 2011 Joshua O'Leary License: GPLv3+ - 104.mid/serenade-d957.rg 104.mid/serenade-d957.mid Copyright (C) 2008 Sylvain Beucler License: GPLv3+ | Art Libre | CC BY-SA - 104.mid/schubert-franz-peter-serenade-5672.pdf License: public domain Copyright (C) 2008 Sylvain Beucler License: GPLv3+ | Art Libre | CC BY-SA - 105.mid/reverie.rg 105.mid/reverie.mid Copyright (C) 2008 Sylvain Beucler License: GPLv3+ | Art Libre | CC BY-SA - 105.mid/IMSLP14012-Debussy_-_R__verie__piano_.pdf License: public domain - 106.mid/Felix_Mendelssohn_-_Violinkonzert_e-moll_-_1._Allegro_molto_appassionato_0m_6s_0h__3m_18s_0h.ogg Copyright (C) 2001 Fulda Symphonic Orchestra License: EFF: Open Audio License version 1 - denube.mid/An_der_schönem_blauen_Donau.ogg License: public domain (1936) - denube.mid/STRAUSS_Blue_Danube_Waltz_1934.ogg License: public domain (1934) - denude.mid/blue_danube.mid Copyright (C) 2004 Nikos Kouremenos License: CC BY-SA - denube.mid/TheBlueDanubeOp314.pdf License: public domain - lovin.mp4/lovin.ogg License: CC BY 3.0 Sound effects ============= - intro.wav/intro.wav - fire.wav/fire_long.wav Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive License: CC BY 3.0 - fire.wav/fire.wav Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive Copyright (C) 2008 Sylvain Beucler License: CC BY 3.0 - fire.wav/fire.aup fire.wav/gold_data/* Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive Copyright (C) 2008 Sylvain Beucler License: CC BY 3.0 - gold.wav/gold.ogg (orig: gold.ogg) bird1.wav (orig: bird2.ogg) arrow.wav (orig: bow-hit.ogg) bow1.wav (orig: bow-miss.ogg) sword2.wav (orig: spear.ogg) grunt1.wav (orig: human-hit.4.ogg) grunt2.wav (orig: human-hit.5.ogg) punch.wav (orig: club.ogg) swing.wav (orig: dagger-swish.wav) (/usr/share/games/wesnoth/data/core/sounds/ from the Wesnoth project) Copyright (C) 2003 - 2007 by David White Copyright (C) 2004 - 2007 by Guillaume Melquiond Copyright (C) 2004 - 2007 by Philippe Plantier Copyright (C) 2005 - 2007 by Yann Dirson Copyright (C) 2005 - 2007 by Isaac Clerencia Copyright (C) 2005 - 2007 by Joerg Hinrichs Copyright (C) 2005 - 2007 by Joeri Melis Copyright (C) 2005 - 2007 by Rusty Russell Copyright (C) 2006 - 2007 by Dominic Bolin Copyright (C) 2006 - 2007 by Jeremy Rosen Copyright (C) 2006 - 2007 by Karol Nowak Copyright (C) 2006 - 2007 by Mark de Wever Copyright (C) 2006 - 2007 by Patrick Parker This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License version 2 or at your option any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY. - gold.wav/gold.aup gold.wav/gold_data gold.wav/gold.ogg Based on gold.wav above, plus: Copyright (C) 2008 Sylvain Beucler - arrow.wav Based on arrow.wav above, plus: Copyright (C) 2010 Petteri Tolonen - bow1.wav Based on arrow.wav above, plus: Copyright (C) 2010 Petteri Tolonen - sword2.wav Based on arrow.wav above, plus: Copyright (C) 2010, 2012 Petteri Tolonen - grunt1.wav Based on human-hit-4.ogg above, plus: Copyright (C) 2012 Petteri Tolonen - grunt2.wav Based on human-hit-5.ogg above, plus: Copyright (C) 2012 Petteri Tolonen - punch.wav Based on club.ogg above, plus: Copyright (C) 2012 Petteri Tolonen - swing.wav Based on dagger-swish.wav above, plus: Copyright (C) 2012 Petteri Tolonen - high2.wav Copyright (C) 2009 Sylvain Beucler License: GPLv3+ | Art Libre | CC BY-SA - open.wav/convert - open.wav/door-03.flac open.wav/open.wav Copyright (C) 2010 Iwan Gabovitch License: GPLv2+ | CC BY-SA 3+ - wscream.wav Copyright (C) 2009 Fernando Carmona Varo License: WTFPL - bhit.wav Based on /usr/share/games/freeciv/stdsounds/woodbrk.ogg, plus: Copyright (C) 2012 Petteri Tolonen License: GPLv3+ | Art Libre | CC BY-SA Translations ============ - dink/l10n/ca.po: Copyright (C) 2013, Àngel Mompó - dink/l10n/da.po: Copyright (C) 2009, 2010, 2012 Joe Hansen - dink/l10n/de.po: Copyright (C) 2009 Michael Skiba - dink/l10n/eo.po: Copyright (C) 2011 Felipe Castro - dink/l10n/es.po: Copyright (C) 2009 Fernando Carmona Varo Copyright (C) 2010 Juan Valencia Escalante - dink/l10n/fi.po: Copyright (C) 2012 Petteri Tolonen - dink/l10n/fr.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc. - dink/l10n/hr.po: Copyright (C) 2012 Tomislav Krznar - dink/l10n/mk.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc. - dink/l10n/nl.po: Copyright (C) 2003 Nanette Copyright (C) 2010, 2011 Bas Wijnen Packaging ========= The Debian packaging is Copyright (C) 2008, 2009, 2010, 2011, Sylvain Beucler and is licensed under the GPL, either version 3, or (at your option) any later version, see `/usr/share/common-licenses/GPL-3'. 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Creative Commons 3.0 Attribution ShareAlike http://creativecommons.org/licenses/by-sa/3.0/ ---------------------------------------------- THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED. BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS. 1. Definitions a. "Adaptation" means a work based upon the Work, or upon the Work and other pre-existing works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, transformed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the purpose of this License. For the avoidance of doubt, where the Work is a musical work, performance or phonogram, the synchronization of the Work in timed-relation with a moving image ("synching") will be considered an Adaptation for the purpose of this License. b. 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"Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work. g. 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Subject to the terms and conditions of this License, Licensor hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the duration of the applicable copyright) license to exercise the rights in the Work as stated below: a. to Reproduce the Work, to incorporate the Work into one or more Collections, and to Reproduce the Work as incorporated in the Collections; b. to create and Reproduce Adaptations provided that any such Adaptation, including any translation in any medium, takes reasonable steps to clearly label, demarcate or otherwise identify that changes were made to the original Work. For example, a translation could be marked "The original work was translated from English to Spanish," or a modification could indicate "The original work has been modified."; c. to Distribute and Publicly Perform the Work including as incorporated in Collections; and, d. to Distribute and Publicly Perform Adaptations. e. For the avoidance of doubt: i. Non-waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme cannot be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License; ii. Waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme can be waived, the Licensor waives the exclusive right to collect such royalties for any exercise by You of the rights granted under this License; and, iii. Voluntary License Schemes. The Licensor waives the right to collect royalties, whether individually or, in the event that the Licensor is a member of a collecting society that administers voluntary licensing schemes, via that society, from any exercise by You of the rights granted under this License. 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The rights granted under, and the subject matter referenced, in this License were drafted utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implementation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law. Free Art License 1.3 http://artlibre.org/licence/lal/en/ ----------------------------------- (in French, this is also called "Art Libre") [ Copyleft Attitude ] Free Art License 1.3 (FAL 1.3) Preamble The Free Art License grants the right to freely copy, distribute, and transform creative works without infringing the author's rights. The Free Art License recognizes and protects these rights. Their implementation has been reformulated in order to allow everyone to use creations of the human mind in a creative manner, regardless of their types and ways of expression. While the public's access to creations of the human mind usually is restricted by the implementation of copyright law, it is favoured by the Free Art License. This license intends to allow the use of a work' s resources; to establish new conditions for creating in order to increase creation opportunities. The Free Art License grants the right to use a work, and acknowledges the right holder's and the user's rights and responsibility. The invention and development of digital technologies, Internet and Free Software have changed creation methods: creations of the human mind can obviously be distributed, exchanged, and transformed. They allow to produce common works to which everyone can contribute to the benefit of all. The main rationale for this Free Art License is to promote and protect these creations of the human mind according to the principles of copyleft: freedom to use, copy, distribute, transform, and prohibition of exclusive appropriation. Definitions "work" either means the initial work, the subsequent works or the common work as defined hereafter: "common work" means a work composed of the initial work and all subsequent contributions to it (originals and copies). The initial author is the one who, by choosing this license, defines the conditions under which contributions are made. "Initial work" means the work created by the initiator of the common work (as defined above), the copies of which can be modified by whoever wants to "Subsequent works" means the contributions made by authors who participate in the evolution of the common work by exercising the rights to reproduce, distribute, and modify that are granted by the license. "Originals" (sources or resources of the work) means all copies of either the initial work or any subsequent work mentioning a date and used by their author(s) as references for any subsequent updates, interpretations, copies or reproductions. "Copy" means any reproduction of an original as defined by this license. 1. OBJECT The aim of this license is to define the conditions under which one can use this work freely. 2. SCOPE This work is subject to copyright law. Through this license its author specifies the extent to which you can copy, distribute, and modify it. 2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS) You have the right to copy this work for yourself, your friends or any other person, whatever the technique used. 2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC You have the right to distribute copies of this work; whether modified or not, whatever the medium and the place, with or without any charge, provided that you: - attach this license without any modification to the copies of this work or indicate precisely where the license can be found, - specify to the recipient the names of the author(s) of the originals, including yours if you have modified the work, - specify to the recipient where to access the originals (either initial or subsequent). The authors of the originals may, if they wish to, give you the right to distribute the originals under the same conditions as the copies. 2.3 FREEDOM TO MODIFY You have the right to modify copies of the originals (whether initial or subsequent) provided you comply with the following conditions: - all conditions in article 2.2 above, if you distribute modified copies; - indicate that the work has been modified and, if it is possible, what kind of modifications have been made; - distribute the subsequent work under the same license or any compatible license. The author(s) of the original work may give you the right to modify it under the same conditions as the copies. 3. RELATED RIGHTS Activities giving rise to author's rights and related rights shall not challenge the rights granted by this license. For example, this is the reason why performances must be subject to the same license or a compatible license. Similarly, integrating the work in a database, a compilation or an anthology shall not prevent anyone from using the work under the same conditions as those defined in this license. 4. INCORPORATION OF THE WORK Incorporating this work into a larger work that is not subject to the Free Art License shall not challenge the rights granted by this license. If the work can no longer be accessed apart from the larger work in which it is incorporated, then incorporation shall only be allowed under the condition that the larger work is subject either to the Free Art License or a compatible license. 5. COMPATIBILITY A license is compatible with the Free Art License provided: - it gives the right to copy, distribute, and modify copies of the work including for commercial purposes and without any other restrictions than those required by the respect of the other compatibility criteria; - it ensures proper attribution of the work to its authors and access to previous versions of the work when possible; - it recognizes the Free Art License as compatible (reciprocity); - it requires that changes made to the work be subject to the same license or to a license which also meets these compatibility criteria. 6. YOUR INTELLECTUAL RIGHTS This license does not aim at denying your author's rights in your contribution or any related right. By choosing to contribute to the development of this common work, you only agree to grant others the same rights with regard to your contribution as those you were granted by this license. Conferring these rights does not mean you have to give up your intellectual rights. 7. YOUR RESPONSIBILITIES The freedom to use the work as defined by the Free Art License (right to copy, distribute, modify) implies that everyone is responsible for their own actions. 8. DURATION OF THE LICENSE This license takes effect as of your acceptance of its terms. The act of copying, distributing, or modifying the work constitutes a tacit agreement. This license will remain in effect for as long as the copyright which is attached to the work. If you do not respect the terms of this license, you automatically lose the rights that it confers. If the legal status or legislation to which you are subject makes it impossible for you to respect the terms of this license, you may not make use of the rights which it confers. 9. VARIOUS VERSIONS OF THE LICENSE This license may undergo periodic modifications to incorporate improvements by its authors (instigators of the "Copyleft Attitude" movement) by way of new, numbered versions. You will always have the choice of accepting the terms contained in the version under which the copy of the work was distributed to you, or alternatively, to use the provisions of one of the subsequent versions. 10. SUB-LICENSING Sub-licenses are not authorized by this license. Any person wishing to make use of the rights that it confers will be directly bound to the authors of the common work. 11. LEGAL FRAMEWORK This license is written with respect to both French law and the Berne Convention for the Protection of Literary and Artistic Works. USER GUIDE - How to use the Free Art License? To benefit from the Free Art License, you only need to mention the following elements on your work: [Name of the author, title, date of the work. When applicable, names of authors of the common work and, if possible, where to find the originals]. Copyleft: This is a free work, you can copy, distribute, and modify it under the terms of the Free Art License http://artlibre.org/licence/lal/en/ - Why to use the Free Art License? 1. To give the greatest number of people access to your work. 2. To allow it to be distributed freely. 3. To allow it to evolve by allowing its copy, distribution, and transformation by others. 4. So that you benefit from the resources of a work when it is under the Free Art License: to be able to copy, distribute or transform it freely. 5. But also, because the Free Art License offers a legal framework to disallow any misappropriation. It is forbidden to take hold of your work and bypass the creative process for one's exclusive possession. - When to use the Free Art License? Any time you want to benefit and make others benefit from the right to copy, distribute and transform creative works without any exclusive appropriation, you should use the Free Art License. You can for example use it for scientific, artistic or educational projects. - What kinds of works can be subject to the Free Art License? The Free Art License can be applied to digital as well as physical works. You can choose to apply the Free Art License on any text, picture, sound, gesture, or whatever sort of stuff on which you have sufficient author's rights. - Historical background of this license: It is the result of observing, using and creating digital technologies, free software, the Internet and art. It arose from the "Copyleft Attitude" meetings which took place in Paris in 2000. For the first time, these meetings brought together members of the Free Software community, artists, and members of the art world. The goal was to adapt the principles of Copyleft and free software to all sorts of creations. http://www.artlibre.org Copyleft Attitude, 2007. You can make reproductions and distribute this license verbatim (without any changes). EFF Open Audio License ---------------------- Version 1.0.1 Changes from ver. 1.0[.0]: Typo corrections; no substantive changes. 1. I. Preamble 2. II. Terms of Use 3. III. How to Use this License I. PREAMBLE PRINCIPLES Digital technology and the Internet can eMPOWER ARTISTS TO REACH A WORldwide audience and to build upon each other's ideas and imagination with extremely low production and distribution costs. Many software developers, through both the open source software initiative and the free software movement, have long taken advantage of these facts to create a vibrant community of shared software that benefits creators and the public. EFF's Open Audio License provides a legal tool that borrows from both movements providing freedom and openness to use music and other expressive works in new ways. It allows artists to grant the public permission to copy, distribute, adapt, and publicly perform their works royalty-free as long as credit is given to the creator as the Original Author. As in the software communities, this license is intended to help foster a community of creators and performers who are free to share and build on each others' work. This also frees their audience to share works that they enjoy with others, all for the purpose of creating a rich and vibrant public commons. More specifically, this license is designed to serve as a tool of freedom for artists who wish to reach one another and new fans with their original works. It allows musicians to collaborate in creating a pool of "open audio" that can be freely modified, exchanged, and utilized in new ways. Artists can use this license to promote themselves and take advantage of the new possibilities for empowerment and independence that technology provides. It also allows the public to experience new music, and connect directly with artists, as well as enable "super distribution" where the public is encouraged to copy and distribute a work, adding value to the artist's reputation while experiencing a world of new music never before available. Why is the EFF advocating a license? Because, despite the fact that we are uneasy with the licensing, as opposed to sale, of both music and software, we see this particular license as a tool of freedom. Our goal is to use the tools of copyright to free artists and audiences from the portion of current copyright law that seems, to us, to be getting in the way of copyright's original purpose -- the creation of a vibrant public commons of music that we all can enjoy and that artists can build upon. As part of it, we hope to demonstrate some of what we believe should be the best practices in licenses, including respect for the rights and limitations of copyright law including fair use, first sale rights, as well as consumer protection laws and of course freedom of speech. The aim of this license is to use copyright tools to achieve copyright's stated objectives of spreading knowledge and culture while preserving incentives for the author. For legal purposes, this document is the official license under which Open Audio is made available for public use. The original version of this document may be found at: http://www.eff.org/IP/Open_licenses/eff_oal.html Specific terms and conditions for accessing, copying, distribution, adaptation, public performance, and attribution follow. II. TERMS AND CONDITIONS FOR USE: Access, Copying, Distribution, Public Performance, Adaptation, and Attribution This license applies to any work offered by the Original Author(s) with a notice indicating that it is released under the terms of the EFF Open Audio License, "(O)". If used in conjunction with a sound recording (whether in digital or analog form), this license encompasses the copyright in both the sound recording (the "master" rights) and the underlying musical composition (the "songwriter" rights). The Original Author retains the copyrights to works released under this license, but grants the worldwide public permission to use the work in the ways authorized herein. Activities other than those specifically addressed below are outside the scope of this license. 1. Access, Reproduction, Distribution, Modification, and Performance Rights. Subject to the terms and conditions of this license, the Original Author irrevocably and perpetually grants to the public authorization to freely access, copy, distribute, modify, create derivative works from, and publicly perform the work released under this license in any medium or format, provided that Original Author attribution be included with any copies distributed or public performances of the work, as well as any derivative works based on the work, as further described below. 2. Original Author Attribution Requirement. Original Author attribution is generally defined as a method in the regular course of dealing that reasonably conveys to the recipient of a copy or performance the following information: (1) The notice "(O)" that indicates the work is released under the EFF Open Audio license; (2) the identity of the Original Author; (3) the title of the work (at Original Author's option); and (4) how the first listed Original Author may be contacted (at Original Author's option). Ê Where a common, widely-adopted method for attribution is available (such as ID3 tagging for MP3 files), Original Author attribution should be implemented using the common, widely-adopted method. In other circumstances, Original Author attribution may be implemented in any reasonable fashion, such as by including attribution in the public performance, or affixing it to the physical media, or embedding it in the digital file. See the Suggested Guidelines for general attribution requirements for giving proper credit to the work's Original Author in differing circumstances. 3. Agree Not to Limit Others' Use. Any new work that in whole or in part contains or is derived from a work (or part thereof) made available under this license, must itself be licensed as a whole under the terms of this license. Notwithstanding the foregoing, mere aggregation on a volume of a storage or distribution medium of an independently created work with one that is made available under this license does not bring the other work under the scope of this license. It is not the intent of this section to contest the rights of others in works created entirely by them; rather, the intent is to exercise the right to control the distribution of derivative or collective works based upon a work subject to this license. 4. Acceptance of Terms. Because you have not signed this license, you cannot be required to accept it. But nothing besides this license grants you authorization to copy, distribute, adapt, or publicly perform royalty-free the copyrighted works released under it. These activities are prohibited by law without a license or other contractual right granted by the copyright owner. By exercising one of the rights granted herein you indicate your acceptance of this license and agree to be bound by all its terms and conditions. 5. License Version. This license is Version 1.0. New versions of this license will be published from time to time at: http://www.eff.org/IP/Open_licenses/eff_oal.html Anyone who releases a work under the license without specifying a version number allows the recipient to use the work subject to the then-current version of this license. 6. Civil Liberties Unrestricted. Nothing in this license is intended to reduce, limit, or restrict any fair use, the first sale doctrine, or the public side of the copyright bargain under copyright law, or to in any other way limit any rights bestowed under consumer protection or other applicable laws. 7. Warranty. By offering an original work for public release under this license, the Original Author warrants that (i) s/he has the power and authority to grant the rights conveyed herein, and (ii) use of the work within the scope of this license will not infringe the copyright of any third party. III. HOW TO USE THIS LICENSE If you are a musician, band, or other artist and you want your creative works to be experienced by the widest audience possible and touch the hearts and minds of the greatest number of people around the world, the EFF Open Audio License allows your fans and supporters to market and distribute your work through viral marketing that creates attention and adds value to your identity. You can also help build a common pool of creative expression that can be accessed and improved upon by all of society. To do so, convey or affix the following information to or about the copy or performance of the work: The designation "(O)", representing "open" which indicates that the Original Author(s) have released the work subject to the terms and conditions of this public license; Name of work's Original Author(s) (both the performer and the song writer); Name or title of work (at option of author); First Original Author's specified contact means usually an email or Internet address (at option of author); notice, year created; and license version number. Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com 2001 V.1.0 or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com 2001 V.1.0 This license is designed to provide artists with a mechanism to promote their creative talents and identity to millions of people through releasing certain recordings to the public. It is also designed to serve as a tool to allow musicians to experiment with new business models that do not depend solely on a payment of fee-per-copy. Changing times require artists be creative in devising new business models for assuring payment and adequate compensation for their important contributions to society. WTFPL http://sam.zoy.org/wtfpl/ ------------------------- DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE Version 2, December 2004 Copyright (C) 2004 Sam Hocevar 14 rue de Plaisance, 75014 Paris, France Everyone is permitted to copy and distribute verbatim or modified copies of this license document, and changing it is allowed as long as the name is changed. DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION 0. You just DO WHAT THE FUCK YOU WANT TO.